Portrait
of A Woman
Glenn
Love
Digital Documentary Photography
December
2008
This project inspired far more conversations than my time allowed me
to incorporate. Over the last few months, I think I’ve had the
“how women feel about their bodies” conversation with every
woman close enough to me to have it be discussable. I did a good bit
of research on other photographers who have compiled similar projects
as well. It has been a fascinating and enlightening process! It struck
me as truly amazing how many women are unhappy with their bodies. Being
one myself, you think I would have expected it, but it exceeded my expectations.
Being dissatisfied doesn’t necessarily mean these women are embarrassed
by or allow their imperfections to keep them from fully enjoying life,
but it seems like such an extraordinary waste of our precious energy
to be so concerned with things we either cannot change or don’t
need to. Sure, our weight is in our own hands for the most part, but
our perception of what is desirable is entirely incompatible with what
is normal for some of us, making that aspect of our lives a constant
uphill battle. Thus, the message I have taken from these discussions
is to love and nurture all the wonderful things about yourself, and
don’t dwell on your imperfections. Hardly profound, I know. But
it’s a good thing to be reminded of every now and then.
Turning now to the mechanics of the project, many aspects of what it
entailed were entirely new to me. I’ve always shied away from
portraits, and I’ve never worked in staged situations (as all
of these photos were); I have never felt comfortable with the responsibility
of capturing someone’s true character with my camera. I think
I’ve come to appreciate how much can be captured with a picture
though. And this project allowed me to show multiple pictures and include
the women’s voices too, so I feel like viewers get at least a
more complete, partial-portrait of who they are.
I had never shot anyone without their clothes on either; it started
off blatantly awkward, but that got better—at least on my end—as
I got more experience. I learned more with each session and became more
comfortable moving and directing my subjects. I did both individual
and group sessions, and each had its own dynamic. I did three sessions
individually, and one joint session, totaling around 320 pictures. Using
audio was new too, and I realized after the fact how backwardly I approached
it. I used a tape recorder (how archaic!) and then re-recorded segments
to make the digital clips I used. That was a tremendous amount of unnecessary
work, but I know better now.
I thoroughly enjoyed working on this project, and hope it prompts thought
or at least intrigue into the lives of the women featured. I would also
love to hear viewers’ thoughts, regardless of the nature, so please
contact me! Glenn1987@aol.com
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